Why KROMA OneOff: One Day Exhibitions?
- The overwhelming majority of exhibition visitors prefer the opening day
- The audience gets to meet and talk with the artist
- It integrates art into everyday life
- It provides for an innovative way of entertainment, that strengthens the audience’s relationship with culture
- It is addressed to the entire family through parallel educational programs
- Each exhibition is accompanied by many side events such as live performances, concerts, theatrical performances, screenings, workshops and educational programs, as well as a multitude of festivals and creative actions.
KROMA wishes to bring art to the world, where people are, rather than inviting them into places especially designed for it.
Enjoy artwork in its hangouts, meet the artists and exchange their impressions of what they see.
KROMA One-Off.005 | Sotiris Fokeas | Interview
Talking to Sotiris... KROMA: Ideally, what would you like someone seeing your work to understand or better yet to ...
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KROMA One-Off.004/ Giannis Kardasis/ Interview
Talking to Giannis... What was the first personal work you created? What was its theme and what was the occasion? ...
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KROMA One-Off.002 | Driokolaptis | Education
KROMA One-Off.002 Driokolaptis | Education An innovative visual art endeavor from KROMA. The KROMA Art & Culture Platform continued its art project ...
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KROMA One-Off.002 | Driokolaptis
KROMA One-Off 002 Driokolaptis An innovative visual proposal from KROMA The KROMA Art & Culture Platform continued its art project ...
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Maria Fragoudaki, KROMA One-Off 001 | Education
Maria Fragoudaki KROMA One-Off 001 | Education An innovative visual art endeavor from KROMA. KROMA Art & Culture Platform launched ...
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Maria Fragoudaki, KROMA One-Off 001
Maria Fragoudaki KROMA One-Off 001 An innovative visual art endeavor from KROMA. KROMA Art & Culture Platform launched the new ...
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KROMA One-Off.003/Dimitris Pantazis/Interview
Talking to Dimitris ... Dimitris, what does the naked body symbolize for you? The naked body in my painting symbolizes ...
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